I was unable to book the composition and foley studios for this project, and initially, I was hesitant to record because I thought the quality of the foley for this project would be affected by the volatility of the sonic environment that makes up my current house. However, in the comfort and proximity of my own space, I was able to create a vast and detailed collection of sounds for this clip, and the ones that inspired me the most were the ones thought of last minute.

Early on in this project, I realized the immense detail that goes into creating foley for film and the intense specificity, time, and patience it requires. Initially, I was hesitant in re-recording audio for an already released film. There were certain parts of me that thought any work I would contribute would somehow be unoriginal, as the film is already its own entity. In spite of this, actually placing emphasis on the detail and quality of my own composition and foley performances for this project was an amazing exercise and exploration into the world of foley and sonic construction to environment-specific scenes and situations.